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2001 studio album by Blink-182

Take Off Your Pants and Jacket
Blink-182 - Take Off Your Pants and Jacket cover.jpg
Studio album past

Glimmer-182
Released June 12, 2001 (2001-06-12)
Recorded January–March 2001[ane] [2]
Studio
  • Signature Sound (San Diego)
  • Larrabee West (Hollywood)
  • Cello (Hollywood)
Genre Pop-punk
Length 38:54
Characterization MCA
Producer Jerry Finn
Blink-182 chronology
The Marker, Tom, and Travis Show (The Enema Strikes Dorsum!)
(2000) 		Take Off Your Pants and Jacket
(2001) 		Blink-182
(2003)
Singles from Take Off Your Pants and Jacket
  1. "The Rock Bear witness"
    Released: May 22, 2001
  2. "Start Appointment"
    Released: October 8, 2001
  3. "Stay Together for the Kids"
    Released: February xix, 2002

Accept Off Your Pants and Jacket is the fourth studio album by American rock band Glimmer-182, released on June 12, 2001, by MCA Records. The band had spent much of the previous twelvemonth traveling and supporting their previous album Enema of the State (1999), which launched their mainstream career. The album's championship is a tongue-in-cheek pun on male masturbation ("accept off your pants and jack it"), and its cover art has icons for each fellow member of the trio: an airplane ("take off"), a pair of pants, and a jacket. Information technology is the band'due south last release through MCA.

The album was recorded over iii months at Signature Sound in San Diego with producer Jerry Finn. During the sessions, MCA executives pressured the band to retain the sound that helped their previous album sell millions. As such, Take Off Your Pants and Jacket continues the pop-punk tone that Blink-182 had honed and made famous, albeit with a heavier post-hardcore audio inspired by bands such as Fugazi and Refused. Regarding its lyrical content, it has been referred to equally a concept album chronicling boyhood, with songs dedicated to beginning dates, fighting dominance, and teenage parties. Due to differing opinions on direction, the trio worked in opposition to one some other for the get-go time, and the sessions sometimes became contentious.

The album had near-immediate success, becoming the kickoff punk stone record to debut at number i on the US Billboard 200 and achieving double platinum certification in May 2002. It produced 3 hit singles — "The Rock Prove", "First Date", and "Stay Together for the Kids" — that were top-ten hits on modern rock charts. Critical impressions of the album were mostly positive, commending its expansion on teenage themes, although others viewed this every bit its weakness. To support the album, the ring co-headlined the Pop Disaster Bout with Green Solar day. Take Off Your Pants and Jacket has sold over 14 million copies worldwide.

Background [edit]

Later on a long series of performances at clubs and festivals and several indie recordings during the 1990s,[3] Blink-182 finally achieved mainstream success with the release of Enema of the Country in 1999, which launched the band "into the stratosphere of pop music" and catapulted them to become the most popular punk act of the era.[4] [5] The glossy production set up Glimmer-182 apart from the other crossover punk acts of the era, such as Green Day.[5] Three singles were released from the record — "What'southward My Age Again?", "All the Small Things", and "Adam'southward Song" — that crossed over into Top forty radio format and experienced major commercial success.[6] The album sold over 15 million copies worldwide and had a considerable impact on pop punk music.[7] [8] The ring spent most of 2000 touring in support of Enema of the State, where they headlined arenas for the first time.[nine] The band played to sold-out audiences and performed worldwide during the summer of 2000 on the Marking, Tom and Travis Prove Tour.[10]

The period following Enema of the Land saw the ring experience great transition. "We had gone from playing small clubs and sleeping on people's floors to headlining amphitheaters and staying in five-star hotels," recalled Hoppus in 2013. "Afterward years of hard work, promotion, and nonstop touring, people knew who we were, and listened to what we were saying ... it scared the shit out of u.s.."[ii] [eleven] The ring was rushed into recording the follow-upwards, as according to DeLonge, "the president of MCA was penalizing u.s.a. an obscene amount of money because our tape wasn't going to be out in time for them to make their quarterly acquirement statements. [...] And nosotros were saying, 'Hey, nosotros can't do this right now, nosotros need to reorganize ourselves and really think nigh what we desire to practise and write the all-time record we can.' They didn't concord with usa."[12]

Recording and product [edit]

The band recorded demos at DML Studios, a small exercise studio in Escondido, California, where the band had written Dude Ranch and Enema of the Land.[2] The group had written a dozen songs after 3 weeks and invited their manager, Rick DeVoe, to be the first person outside Blink-182 to hear the new cloth, which the ring found "catchy [but with] a definitive edge".[1] [ii] [13] DeVoe saturday in the control room and quietly listened to the recordings, and pressed the band at the finish on why at that place was no "Glimmer-182 good-time summer canticle [thing]". DeLonge and Hoppus were furious, remarking, "Y'all want a fucking single? I'll write you lot the cheesiest, catchiest, throwaway fucking summertime single you've ever heard!"[two] [eleven] Hoppus went home and wrote pb single "The Stone Show" in ten minutes, and DeLonge similarly wrote "First Date", which became the near successful singles from the record and futurity live staples.[13]

The ring began proper tracking for drums soon afterwards at Larrabee Studios West and Cello Studios in Hollywood. The working human relationship with Jerry Finn had been and then fruitful that the same team was largely engaged for Take Off Your Pants and Jacket, with Finn producing and Joe McGrath engineering.[14] Finn and McGrath, meticulous in acquiring the all-time sound, took 2 days to experiment with microphone placement, different compressors, and varying EQs before committing Barker's drums to tape.[2] The waiting "drove [him] crazy," and Barker recorded his drum parts in "ii or three days" while DeLonge and Hoppus watched television upstairs.[two] When the drums were finished, the band returned to San Diego to tape the bulk of Take Off Your Pants and Jacket at Signature Sound, where they had too recorded its predecessor. While the band worked with few days off, the sessions also proved to exist memorable: "We took long dinner breaks, ate Sombrero burritos, watched Family Guy and Mr. Testify, and laughed way likewise difficult."[2] When MCA Records executives eventually traveled to San Diego to hear the highly anticipated follow-upwardly, the trio played a joke past only playing them two joke songs — "Fuck a Canis familiaris" and "When You Fucked Hitler" (the subject of which later changed to a grandfather) — and the executives "lost it," in DeLonge'southward words.[iv] [xv] MCA put pressure on the ring to maintain the sound that made Enema of the State sell millions; as a result, DeLonge believed the album took no "creative leaps [or] bounds."[four] As such, DeLonge felt creatively stifled and "bummed out" with the label's limitations.[iv] [16]

The creative struggle was evident from the get-go. Hoppus loved everything regarding Enema of the State — including the music videos and live show — and "wanted to do it again," desiring to create a bigger, improve and louder follow-up.[ii] DeLonge, however, was striving for heavier and dirtier guitar-driven rock, which was inspired by post-hardcore bands Fugazi and Refused.[one] Barker, "never simply a punk rock drummer," wanted to claiming himself and was listening to a nifty deal of hip hop and heavy metallic.[ii] [11] The lyrics oftentimes turned darker and more introspective for Hoppus, and "love songs became broken dearest songs."[2] [eleven] DeLonge rewrote some of his lyrics after listening to songs by Alkali metal Trio, feeling as though he needed to "step up his game."[17] DeLonge pushed his guitar fashion further away from that on Enema of the State: "Arpeggiated guitar hooks became frenetic i/16th note spasms," wrote Hoppus in 2013.[2] Barker's pulsate parts were looped and filtered, creating different sounds.[two] For the showtime time, the trio worked in opposition to one another, and the sessions sometimes became contentious.[11] Hoppus felt that the sessions created an unspoken contest between him and DeLonge, between who could write the better chorus or well-nigh clever lyrics. "Our confidence and insecurity begat some heated differences, onetime to the point where we had to leave rooms and cool down," recalled Hoppus.[2] Finn would often smooth over differences with a joke, offering a fresh perspective and communication.[two]

In 2013, Hoppus referred to Take Off Your Pants and Jacket as the "permanent record of a ring in transition ... our confused, contentious, brilliant, painful, cathartic leap into the unknown."[two] [xi]

Packaging [edit]

Each icon represents a song title; icon three is a prophylactic, humorously representing the album'due south third rails, "First Date".

The title is a tongue-in-cheek pun on male masturbation ("accept off your pants and jack it"). Previous titles had included If You Run into Kay (a pun on the spelling of "fuck") and Genital Ben, accompanied past a impact the cover of the album (a reference to Gentle Ben).[1] Stressed at being at a loss for a name, DeLonge asked guitar tech Larry Palm for suggestions.[1] The album's championship was coined past Palm, who was snowboarding on a rainy day. Inside the lodge, Palm was congregating with friends when a young kid walked in completely drenched, to which his mother suggested he "take off [his] pants and jacket."[1] Palm was told by DeLonge that if the band were to use the name, he would "hook him up".[18] Instead, Palm received a alphabetic character from manager Rick DeVoe for his contribution, which offered a $500 payout for the proper noun. Palm scoffed at the amount, and filed arrange in 2003 with the intellectual holding attorney Ralph Loeb, alleging breach of contract and fraud against the band.[18] Palm demanded $xx,000; the band eventually settled out of court for $10,000.[18]

The encompass has three "Zoso-like" icons for each ring member: a jacket, a pair of pants and an airplane. Delonge and Hoppus' symbols became the pants and jacket, respectively, leaving Barker the plane despite begging his bandmates not to assign him the symbol, citing his fearfulness of flying, but he took it anyhow. Journalist Joe Shooman called the title "a glint of sharp intelligence behind the boys' humour as it draws oblique attention to the fact that, latterly, Blink-182 had oftentimes been encouraged to go naked in order to promote themselves. It's a very self-aware album championship in that context and a portent, mayhap, of what was to come".[14]

Composition and lyrics [edit]

I lived, ate, and breathed skateboarding. All I did all day long was skateboard. Information technology was all I cared about. So I didn't detect besides much [else going on]. When I got home [one] day, my dad's furniture was gone, my mom was inside crying and everything merely erupted at that indicate. I was xviii, sitting in my driveway when information technology all went down. And so I merely took everything from that day and put it into a song.

Tom DeLonge on "Stay Together for the Kids"[19] [20]

Take Off Your Pants and Jacket has been called a concept album chronicling boyhood and associated feelings.[21] The ring did not consider them explicitly teenage songs: "The things that happen to y'all in loftier school are the same things that happen your entire life," said Hoppus. "You tin can fall in dear at lx; y'all can get rejected at lxxx."[20] [22] The tape begins with "Anthem Role Two", which touches on disenchantment and blames adults for teenage issues. It serves as the opposite of the ring's typical "political party" prototype presented to the media, with heavily politically-charged lyrics.[23] Joe Shooman called it a "generational manifesto that exhorts kids to exist wary of the system that surrounds them".[23] "Online Songs" was written past Hoppus about "the thoughts that bulldoze you crazy" in the aftermath of a breakup, and is essentially a follow-upwards to "Josie".[23] [24] "First Date" was inspired by DeLonge and so married woman Jennifer Jenkins' showtime engagement at SeaWorld in San Diego.[13] "I was well-nigh 21 at the time and it was an excuse for me to accept her somewhere considering I wanted to hang out with her," said DeLonge. The track was written every bit a summary of neurotic teen angst and awkwardness.[13] "Happy Holidays, Yous Bastard" is a joke rails intended to "piss parents off."[24] The fifth track, "Story of a Alone Guy", concerns heartache and rejection prior to the high schoolhouse prom.[11] [24] The song is downbeat and melancholy, filtered through "tuneful guitar lines reminiscent of The Cure and hefty drum patterns".[23]

The following track, "The Rock Testify", is the opposite: an upbeat "effervescent celebration of love, life and music". It was written as a "fast punk-rock dear vocal" in the vein of the Ramones and Screeching Weasel.[25] The song tells the story of two teenagers coming together a rock concert, and, despite failing grades and disapproving parents, falling and staying in beloved.[nineteen] It was inspired by the band's early on days in San Diego's all-ages venue SOMA.[24] "Stay Together for the Kids" follows and is written nigh divorce from the point of view of a helpless child.[26] Inspired by DeLonge's parents' divorce, it is one of the band'southward darker songs.[xi] [19] "Roller Coaster" was written when Hoppus had a nightmare when he and his wife, Skye, get-go began dating; the song is about finding something ideal just fearing for its sure departure.[26] "Reckless Abandon" was penned by DeLonge as a reflection on summer memories, including parties, skateboarding and trips to the embankment.[24] "Everytime I Expect for Yous" has no specific lyrical basis, according to Hoppus, and "Requite Me One Skillful Reason" was written about punk music and nonconformity in a high school setting.[24] "Close Upward", a "cleaved-family snapshot", revisits the territory of youthful woes, described past Shooman every bit a "fairly familiar rites-of-passage tale" that "adds to full general themes of isolation, breach and moving on to a new identify that pervade Take Off Your Pants and Jacket".[22] [27] "Delight Take Me Home" concludes the standard edition of the album and was written about the consequences of a friendship developing into a relationship.[11] [24]

Several bonus tracks follow on separate editions; some go along the teenage theme, while others are joke tracks. Barker used Afro-Cuban influences for his pulsate runway on "Don't Tell Me Information technology's Over", and DeLonge used something other than his punk influences for "What Went Wrong".[26] While DeLonge felt "staple audio-visual songs" were big for groups at the fourth dimension (such equally Green 24-hour interval'south "Good Riddance"), the ring wrote all of their songs from their inception on audio-visual guitars, and he felt he would rather have "What Went Incorrect" in its original form.[26] "You grow up and realize, 'Fuck! Who gives a fuck well-nigh punk rock?'" he said. "There are and then many smashing forms of music out there, and yous abound beyond wanting to listen to or write something because your parents will hate information technology."[26] Finn suggested lyrics for the song after viewing a documentary on the first Russian nuclear test; in the film, an aged Soviet physicist says of watching the explosion, "There was a loud boom, and and so the bomb began fiercely kicking at the world."[26]

Release and reception [edit]

Promotion and commercial operation [edit]

Blink-182 presented with their Canadian double platinum plaques for "Take Off Your Pants and Jacket".

To promote Take Off Your Pants and Jacket, MCA Records released three singles, "The Rock Show", "Starting time Engagement" and "Stay Together for the Kids", all of which were top 10 hits on Billboard 'southward Modernistic Stone Tracks chart. Glimmer-182 performed on the Late Bear witness with David Letterman and Late Night with Conan O'Brien in support of Take Off Your Pants and Jacket.[14] The band also appeared in a MADtv sketch, in which the trio stars as misfits in an all-American 1950s family (a parody Go out Information technology to Beaver).[28] The trio also sanctioned a band biography, Tales from Below Your Mom (2001), which was written by the trio and Anne Hoppus (sister of Mark Hoppus).[28]

Accept Off Your Pants and Jacket was released in June 2001,[29] and the anthology debuted at number one on the US Billboard 200 nautical chart, with showtime-calendar week sales of 350,000 copies. Billboard attributed the success of the record overall as a result of the success of the first unmarried, "The Rock Testify".[30] The anthology debuted at number i on the Canadian Albums Chart, selling 47,390 copies.[31] Information technology also reached number i on Federal republic of germany'south Top 100 Albums.[32] The anthology was the commencement album identified as punk stone to debut at number one in the Us.[2] [11] The record shipped plenty units to exist certified platinum, and was certified double platinum in May 2002.[33] Shortly subsequently the release of Take Off Your Pants and Jacket, the Federal Trade Commission's report charged MCA and Blink-182 with marketing explicit material to children.[34] Have Off Your Pants and Jacket has sold over 14 million copies worldwide as of 2011.[18]

Editions [edit]

Glimmer-182 presented with their RIAA double platinum plaques for "Take Off Your Pants and Jacket" in 2002.

The record was initially released in three separate configurations: the "red plane", the "yellow pants" and the "greenish jacket" editions. Each release contained 2 separate bonus tracks, ranging from joke tracks to outtakes. The only outward signs to differentiate the iii editions were three stickers.[15] The multiple bonus-runway versions were only bachelor for a limited time before being replaced past an edition without any bonus tracks.[fifteen]

In 2011, the Brooklyn-based independent record label Mightier Than Sword Records licensed Take Off Your Pants and Jacket to reissue on 180-gram vinyl, with three additional 7-inch singles featuring the half-dozen bonus tracks. After taking preorders, the company "ran out of money",[35] resulting in Shop Radio Cast taking over the project; the LP was eventually released in May 2013.[36] Hoppus spoke on the field of study of Mightier Than Sword's delay in an interview with Alternative Press: "It's honestly something that is out of our control and not something that we are happy about happening at all."[35]

Critical reception [edit]

Professional ratings
Aggregate scores
Source Rating
Metacritic 69/100[37]
Review scores
Source Rating
AbsolutePunk 95%[38]
AllMusic [39]
Entertainment Weekly C+[40]
Q (favorable)[41]
Robert Christgau A−[42]
Rolling Stone [27]
Slant Magazine [43]
Toronto Sun (favorable)[44]
The Village Voice (favorable)[29]
Stone Hard (de) 7.five/x[45]

Disquisitional reception of Take Off Your Pants and Jacket in 2001 was mostly positive. Rob Sheffield of Rolling Rock was generally the nigh effusive of the positive reviews, praising the unpretentious mental attitude of the band: "As they plow in their relatively united nations-self-conscious way through the emotional hurdles of lust, terror, pain and rage, they reveal more than about themselves and their audience than they even intend to, turning boyish malaise into a friendly joke rather than a spiritual crisis."[27] Darren Ratner of AllMusic felt likewise, writing that the record is "ane of their finest works to date, with almost every track sporting a commanding joint and new-school punk sounds. They've definitely put a big-time notch in the win cavalcade".[39] People commended the "adrenaline-laced sonic gems reveling in Glimmer'south patented, potty-mouthed humor, recommended only for adolescents of all ages".[46] British publication Q offered the sentiment that "when they finish arsing effectually for the sake of it, Glimmer-182 write some very good pop songs".[41] Kerrang! gave it a high-profile review, calling the record "eminently hummable dummy-spitting tantrum rock for the emo generation".[25]

The Village Vox called the sound "emo-cadre ... intercut with elegiac little pauses that align Blink 182 with a branch of punk rock you could trace back through The Replacements and Ramones Leave Domicile, to the more ethereal of early Who songs".[29] Aaron Scott of Camber Magazine, however, found the sound to be recycled from the band'due south previous efforts, writing, "Blink shines when they deviate from their formula, but it is awfully rare ... The album seems to exist more concerned with maintaining the ring's large teenage fanbase than with expanding their overall audience."[43] Amusement Weekly felt similarly, with David Browne opining that "the album is angrier and more teeth gnashing than yous'd look. The band work so difficult at it, and the music is such candy sounding mainstream rock played fast, that the album becomes a paradox: adolescent free energy and rebellion made joyless".[40] British magazine New Musical Express, who heavily criticized the band in their previous efforts, felt no more negative this time, maxim "Glimmer-182 are now indistinguishable from the increasingly wearisome 'teenage dirtbag' genre they helped spawn". The mag continued, "It sounds like all that sanitised, castrated, shrink-wrapped 'new moving ridge' crap that the major US record companies pumped out circa 1981 in their belated endeavor to jump on the 'punk' bandwagon."[47]

More recent reviews have subsequently been positive. Website AbsolutePunk, in function of their "Retro Reviews" project in 2011, chosen Have Off Your Pants and Jacket the ring's best effort; reviewer Thomas Nassiff referred to it every bit "a transitory record for Blink-182, but you tin't tell but by listening to it on its own. Information technology'due south developed and it's full – it feels holistically complete, dick jokes and all".[38] In 2005, the album was ranked number 452 in Rock Hard magazine's book of The 500 Greatest Rock & Metal Albums of All Fourth dimension.[48]

Accolades [edit]

Publication Country Accolade Year Rank
Kerrang! U.k. The fifty Best Rock Albums of the 2000s[49] 2016 14

* denotes an unordered list

Touring [edit]

The Take Off Your Pants and Jacket supporting tour began in April 2001 in Australia and New Zealand.[14] The ring returned to the US to promote their new record on the Belatedly Show with David Letterman in June 2001.[fourteen] After, the band set out on the 2001 Honda Civic Tour, for which the trio designed a Honda Civic to promote the company.[50] The band once again received criticism for "selling out", but the band argued by manner of mitigation that their tickets were consistently offered at lower prices than those of other groups of their stature, and by accepting corporate links they could continue to give fans a good deal.[34] In December 2001, the trio played at a serial of radio-sponsored holiday concerts, and also appeared as presenters at the 2001 Billboard Music Awards in Las Vegas.[51]

The band rescheduled European tour dates in the aftermath of the September 11 attacks. "Later on the attacks the world kind of went into freeze style and nosotros didn't know whether to comport on with things or non ... so nosotros decided we'd rather everyone was condom and play the shows a little later instead," said Hoppus shortly thereafter.[52] The European dates were canceled a 2d fourth dimension after DeLonge suffered a herniated disc in his back.[53] With fourth dimension off from touring, DeLonge felt an "itch to do something where he didn't feel locked in to what Glimmer was",[iv] [54] and channeled his chronic back hurting and resulting frustration into Box Car Racer (2002), a post-hardcore disc that further explores his Fugazi and Refused inspiration.[55] [56] Refraining from paying for a studio drummer, he invited Barker to record drums on the project, which led Hoppus to feel betrayed.[16] The result caused slap-up division inside the trio for some fourth dimension and an unresolved tension at the forefront of the band'south later on hiatus.[57]

In 2002, the band co-headlined the Pop Disaster Tour with Green Day. The tour was conceived by Blink-182 to echo the famous Monsters of Stone tours; the idea was to have, finer, a Monsters of Punk tour.[58] The tour, from the band'south signal of view, had been put together as a testify of unity in the face of consistent accusations of rivalry between the two bands, peculiarly in Europe.[59] Instead, Green Day's Tré Cool best-selling in a Kerrang! interview that they committed to the bout as an opportunity to regain their reputation as a great live band, as they felt their spotlight had faded over the years.[59] "We set out to reclaim our throne every bit the nearly incredible live punk band from yous know who," said Cool.[60] Absurd contended that "we heard they were going to quit the tour because they were getting smoked so desperately ... Nosotros didn't want them to quit the bout. They're skilful for filling up the seats up front."[60] Several reviewers were unimpressed with Blink-182's headlining set following Green Solar day. "Sometimes playing last at a rock show is more a curse than a privilege ... Pity the headliner, for example, that gets blown off the stage by the band before it. Glimmer-182 endured that indignity Saturday at the Shoreline Amphitheatre," a reporter for the San Francisco Chronicle wrote in 2002.[61]

The band released a second DVD of habitation videos, live performances and music videos titled The Urethra Chronicles Ii: Harder Faster Faster Harder in 2002.[62] Besides, the 2003 pic Riding in Vans with Boys follows the Pop Disaster Tour throughout the U.South.[59]

Runway list [edit]

All tracks are written by Mark Hoppus, Tom DeLonge and Travis Barker.

No. Title Pb vocals Length
1. "Canticle Role Two" DeLonge 3:48
2. "Online Songs" Hoppus 2:25
three. "First Date" DeLonge ii:51
4. "Happy Holidays, You Bastard" Hoppus 0:42
v. "Story of a Lonely Guy" DeLonge 3:39
6. "The Rock Bear witness" Hoppus two:51
seven. "Stay Together for the Kids" Hoppus/DeLonge 3:59
8. "Roller Coaster" Hoppus 2:47
ix. "Reckless Abandon" DeLonge 3:06
x. "Everytime I Look for Y'all" Hoppus three:05
11. "Give Me Ane Skilful Reason" DeLonge 3:18
12. "Shut Upwards" Hoppus three:20
13. "Please Take Me Domicile" DeLonge iii:05
Total length: 38:56
Reddish "Take Off" version hidden tracks
No. Title Lead vocals Length
14. "Fourth dimension to Pause Upwardly" DeLonge 3:04
15. "Female parent's Twenty-four hours" Hoppus 1:37
Yellowish "Pants" version hidden tracks
No. Title Atomic number 82 vocals Length
14. "What Went Wrong" DeLonge 3:13
15. "Fuck a Dog" Hoppus/DeLonge i:25
Greenish "Jacket" version subconscious tracks
No. Title Pb vocals Length
14. "Don't Tell Me It's Over" DeLonge 2:34
xv. "When Y'all Fucked Grandpa" Hoppus ane:39
Tour edition bonus DVD
No. Championship Length
1. "The Urethra Chronicles II: Harder Faster Faster Harder" 48:00
Notes
  • On the make clean version of the anthology the track "Happy Holidays, You lot Bastard" is listed as just "Happy Holidays", and is an instrumental with the exception of the very concluding line, due to almost every other line containing stiff linguistic communication and/or crude sexual references.
  • On the limited edition bonus track versions, "Please Accept Me Home" has 182 seconds (roughly 3 minutes) of silence at the end, likely to hide the hidden tracks, and also to reference their name. (They are non listed on the back encompass)

Personnel [edit]

Charts [edit]

Certifications [edit]

Meet likewise [edit]

  • List of number-one albums of 2001 (U.S.)

Notes [edit]

  1. ^ a b c d e f Roger Coletti (2001). "Blink-182: No Jacket Required". MTV News. Archived from the original on November 4, 2012. Retrieved June 22, 2010.
  2. ^ a b c d e f g h i j k l one thousand northward o p q r Take Off Your Pants and Jacket (2013 Vinyl Reissue) (liner notes). Blink-182. The states: Geffen / Universal Music Special Markets. 2013. SRC025/SRC026/SRC027/SRC028. This reference primarily cites the Mark Hoppus foreword. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  3. ^ Patricia Romanowski. Holly George-Warren. Jon Pareles. (2001). The Rolling Stone Encyclopedia of Rock & Gyre (Revised and Updated for the 21st Century). New York: Touchstone, 1136 pp. Get-go edition, 2001.
  4. ^ a b c d e "Tom DeLonge talks guitar tones, growing up and Blink". Total Guitar. Bath, Somerset: Future Publishing. October 12, 2012. ISSN 1355-5049. Archived from the original on Dec 12, 2012. Retrieved October 13, 2012.
  5. ^ a b Jon Carimanica (September 16, 2011). "Not Quite Gone, A Punk Band Is Coming Back". The New York Times . Retrieved September 17, 2011.
  6. ^ Hoppus, 2001. p. 96
  7. ^ James Montgomery (February nine, 2009). "How Did Glimmer-182 Become And so Influential?". MTV News. Archived from the original on October 25, 2012. Retrieved February 9, 2009.
  8. ^ Matt Diehl (April 17, 2007). My And so-Called Punk: Light-green 24-hour interval, Fall Out Male child, The Distillers, Bad Religion - How Neo-Punk Stage-Dived into the Mainstream. St. Martin's Griffin. pp. 75–76. ISBN978-0-312-33781-0.
  9. ^ Hoppus, 2001. p. 99
  10. ^ Edwards, Gavins (Baronial 3, 2000). "The Half Naked Truth Near Glimmer-182". Rolling Rock . Retrieved July xviii, 2012.
  11. ^ a b c d due east f k h i j Kyle Ryan (October 8, 2013). "Glimmer-182 took punk to No. ane for the start time with a masturbation pun". The A.V. Club . Retrieved October 8, 2013.
  12. ^ Richard Harrington (June 11, 2004). "Seriously, Blink-182 Is Growing Upwards". The Washington Mail service . Retrieved February 25, 2014.
  13. ^ a b c d Nichola Browne (Nov 20, 2005). "Punk Stone! Nudity! Filthy Sex! Tom DeLonge Looks Back On Blink-182's Greatest Moments". Kerrang!. No. 1083. London: Bauer Media Group. ISSN 0262-6624.
  14. ^ a b c d east Shooman, 2010. p. 82
  15. ^ a b c "Blink-182 plan iv versions of new album". Toronto Sunday. Toronto: Sun Media. May seven, 2001. ISSN 0837-3175. Archived from the original on April 7, 2013. Retrieved February 14, 2013.
  16. ^ a b Shooman, 2010. p. 94
  17. ^ Pinfield, Matt (Interviewer); Hoppus, Marking (Interviewee) (June ii, 2016). Mark Hoppus Talks Fatherhood, Element of group i Trio, and the all-new Blink-182 (Podcast). 2Hours with Matt Pinfield. audioBoom. Archived from the original (mp3) on June three, 2016. Retrieved June two, 2016.
  18. ^ a b c d Ken Leighton (September 14, 2011). "Naming Rights". San Diego Reader. Archived from the original on September 27, 2013. Retrieved Feb 14, 2013.
  19. ^ a b c Shooman, 2010. p. 84
  20. ^ a b Everett, Jenny (Autumn 2001). "Blink-182 Cordially Invites Yous To Take Them Seriously". MH-18. Rodale Printing. p. 81.
  21. ^ Nathan Brackett. (2004). The New Rolling Stone Album Guide. New York: Fireside, 904 pp. Beginning edition, 2004.
  22. ^ a b Shooman, 2010. p. 85
  23. ^ a b c d Shooman, 2010. p. 83
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  25. ^ a b Shooman, 2010. p. 86
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References [edit]

  • Hoppus, Anne (Oct ane, 2001). Glimmer-182: Tales from Beneath Your Mom. MTV Books / Pocket Books. ISBN0-7434-2207-4.
  • Shooman, Joe (June 24, 2010). Blink-182: The Bands, The Breakdown & The Render. Independent Music Press. ISBN978-i-906191-10-8.

External links [edit]

  • Take Off Your Pants and Jacket at YouTube (streamed re-create where licensed)
  • Official website

josephdord1935.blogspot.com

Source: https://en.wikipedia.org/wiki/Take_Off_Your_Pants_and_Jacket

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